Last night I had a dream I left a taping of SNL to perform in my own improv show.

Look how dedicated Dream-Brie is to the practice her craft!

Amy Poehler gave me a ride in her minivan, for whatever that’s worth. And Colin Jost completely ignored me.

Even in dreams I have issues with self-esteem.

…I’m such a nerd.

Mmm. I’ve taken some time in for my writing this week and it feels wonderful.

I’ve even got some headway on the spec script I’m working on, which I wanted to have finished by the end of the month.

It’s still possible.

Maybe.

At least it’s the most progress I’ve ever accomplished in this particular career goal, which is:

  • “Write at least one goshdarn spec script, already!”

I’m doing it.

You’re doing it, Peter!

…all the great stuff I learned last week!

All right, maybe I’m doing it wrong. Maybe I’m a total dork, but I am sortof obsessed about learning about comedy. I probably don’t watch enough stand-up comedy specials on Netflix, I do read about it often enough, (currently on Bruce McCulloch’s “Let’s Start a Riot,”) and I suppose one of the big fears I deal with regularly is how much I should be “learning” vs. how much I should be “doing.”

One of the major problems I face with my own comedy is time. I have a Mon-Fri 9-5 job, which is great for paying back debt, but not so great for staying up late and going to multiple shows and partying until all hours of the night at the local open-mic/watering hole. (I do this extremely rarely.) I’ve tried to strike a balance by producing many of my own shows, thus giving myself ample play time, but also seeing many of the acts around town who inspire me and more importantly, who make me laugh.

Another thing I’ve just taken on, is the co-creation of the “Women in Comedy Toronto” group. It seems, so far, that people are really excited about it, and based on the first couple events we’ve had, it’s really evident that this is the kind of community group from which women in the Toronto comedy scene can really benefit. For example, last week Christina Walkinshaw came by to talk to us about her career in comedy thus far, her writing process, tales from the biz, and many other fascinating tidbits, and I tell you, it was inspiring!  I think anyone who was in attendance will tell you the same.

Also, on Wednesday, I attended the I ❤ Sketchfest event at the Steamwhistle Brewery, where they screened the premiere of Bruce McCulloch’s “Young Drunk Punk,” which was excellent, and I’m sorry I didn’t give it it’s own page, like I did with “Sunnyside“, I just ran out of time.

Which is my point. By this point, it’s Wednesday; I’ve helped a friend film her one woman-show, produced a 2+ hour talkback with one of Canada’s most amazingly hilarious female comics, supported my favourite Toronto comedy festival… and I haven’t had time yet to do any of my own writing or work.

Problem solved: Thursday, I booked, produced, and performed in a show put on by my improv duo, Exit, Pursued by a Bear. Friday, I produced and performed in Improv Game Show (and I won! Thanks again Maddox! [as if he’s actually reading this!])

And alas, the weekend called for fun family celebrations in Niagara, which are lovely, but don’t really allow for much writing time. (Nor should they. Family time is important, dangit!)

So, I guess what I’m trying to say, is that it would be nice to have a little balance. Maybe last week was just crazy, or maybe I’m over-committing to stuff. Either way, I’d love to know what your solutions are to feeling like you can never get fully on top of the multiple things you’re trying to accomplish?

My brother recommended I read Chris Hardwick’s “The Nerdist Way,” and it already seems like a great process for helping people achieve their goals. But I’m already looking at it like “I don’t have TIME to create a fancy CHART with all my WANTS AND DESIRES on it, and make it pretty with pictures?!!?”

And again, so much is the nature of an anxious person.  Sometimes we have so much to do, and we can’t just… take… a … breath. It’s always go go go. Sometimes what we need is to slow down, and only in those times can we think clearly and make a plan towards actually accomplishing our goals. Like finishing this damn spec script I’ve been working on for MONTHS. (The outline is now finished. Thank you.)

Sometimes it’s about balancing a crazy week with a following week of cuddling up with your computer at home with a nice (several) cup(s) of coffee in a cozy hoodie.

That’s where I’m at this week.  Until I’m not.

 

EXT. Toronto on a Friday Night.

MY BRAIN

You had a good day at work today, and a fun show this evening. Feeling a bit tired now, let’s go home and get some rest.

ME

Good idea, brain!

INT. At home, opens laptop to Facebook.

MY BRAIN (cont’d)

AAAAAAAHHHHH!!!FOMO FOMO FOMO FOMO FOMO!!!!!

Why aren’t you everywhere else right now but home?!?!?!?!?!

ME

Sigh.

Do yourself (and me) a favour and watch Sunnyside. It premiered tonight, and it was super funny, super original and super Canadian.

It reminded me of that improv game Goon River, except, they weren’t speaking in monologues, but it IS about town filled with fun, quirky characters. Although nobody died… so… maybe not so much like Goon River…Oh no wait. Someone died.  Cool.  Totally like Goon River.

Anyway… I really liked it! And not only because I know the creators, writers and cast personally and am super proud of their hard work not only being produced, but finding a broadcast home amidst a dark period of TV history in which few networks are willing to take chances on new ideas in general, let alone great sketch comedy ideas.

The show is co-created by Gary Pearson (who, if you’re a reader of this blog, directed a sketch show I was in back at Humber called #cliché: based on the novel Push by Sapphire) so… it’s cool, we tight. I think I also reviewed one, if not both of his novels here as well. What I’m saying is, I’m a fan.

The cast and writers are ALL people I’ve seen CRUSH around Toronto’s live comedy scene. Stand-up, improv, sketch. You name it, they’re made me laugh doin’ it. I’m super excited for this show, and I’m super excited for all the talented people involved/responsible for it.

Now YOUR job, reader, is to go watch the darn thing and enjoy it. That way, they can keep making it, and maybe more opportunities will arise for the hardworking hilarious people trying to make a living making YOU laugh! It’s a win win!

Is this too ranty for a post about a silly sketch comedy show?  Meh. I don’t care.

Watch Sunnyside, damnit.

I know this is really just a blog about my own personal experiences writing and performing comedy in Toronto, and I don’t really take on topics that are too politically-heated.

In spite of that, the events in Paris today call for solidarity among all of us who poke fun at the world and how ridiculous it can sometimes be.

Nous sommes tous Charlie.

I went to Wheel of Improv tonight. It was Wheel’s 6th birthday and Colin Mochrie and Rob Norman were Boomer’s guests.

I wanted to play with Colin because he’s famous. I mean it’s Colin Mochrie for Pete’s sake!

Here’s why playing with Rob was better. Firstly, he’s younger and better looking. (Sorry Colin.)

But for realsies, I feel like when you’re in a scene with Rob Norman, he’s constantly teaching you things while he plays with you. Tonight, I played a character with a real competitive edge, all full of conflict and the likes; Rob’s character was docile; a why-can’t-we-all-get-along? type, which to me was a clear message: why the conflict?! It doesn’t have to be a competition! There do not need to be winners or losers. I don’t always have to be loud-mouthed, high-status bullies.

Maybe this is proof that I was too in my head in the scene tonight. Even if it isn’t, I am taking a mental note to be less antagonistic in my character choices. (Even though I got a pretty big laugh by calling Rob a motherfucker.)

Ah well…Happy Birthday Wheel! Thanks Boomer, for everything you do.

Photo stolen from Wheel of Improv's Twitter.
Photo stolen from Wheel of Improv’s Twitter.

I received the nicest compliment yesterday right after Guess Who’s Coming to Improv? from a woman who had tried improv for the very first time that night at the show. She and I had played a scene together during the show. My get for our scene was “chest hair.” It was a short scene, but a striking one nevertheless.

After the show, she told me something along the lines of: “I was so glad to see it was you standing on stage, because I felt like no matter what I did, I could feel safe.”

It was the greatest compliment I’ve received as an improviser.

And to those who were in the audience, it was a hilarious and surprising scene.

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It’s 2015. Knock something off your bucket list.

This message was posted on the Guess Who’s Coming to Improv? Facebook page today.  It is heartwarming and amazing:

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This message is a greater gift than any host could hope for.  And yet, tonight, Rachel came back to the show and gifted me with two hilarious scenes as well as the following:

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I didn’t really know what to expect when I started hosting #GWCI. I wanted to play more, I wanted others to have the opportunity to play more, and I wanted people from all levels of the learning spectrum to mingle and create magic together.

I certainly never in the process ever expected BACON!

These are life’s wonderful little gifts.

Thank you Rachel!