I’m normally smarter than this, and know better than to stay up past 12 if I have to work all day and take a four hour flight immediately afterwards, inevitably landing somewhere I’ve never been before.  Actually.  Come to think of it, that situation hasn’t really arisen as of yet. Normally I wouldn’t have had to work.

People have been telling me I’m lucky to get the time off work to go to the Fringe, but am I?  When I got hired, I made my ulterior career goals known.  If the aim in hiring administrative support is retention, then really, if I want to go to Winnipeg for 3 weeks, and take a day off here or there throughout the year afterwards, jeez.  Just let me be.

I realize this is a silly thing to say and that people work for the tiny amount of time they are granted off, considering the amount of hard work and effort goes into surviving just the day, let alone the week, the year, the 30+ years to feed your family, pay off your mortgage and retire comfortably, but damnit.  I don’t feel that’s me.

In a dreamworld, I would fly out to Winnipeg, someone would catch my show and think: “my these girls are damn gifted writers, here:  have your pick of TV shows to write on, or radio shows, here’s something I want to pay you to write” etc.  If only it were that simple.  If only I had those 8 + travel time hours a day I use up to go to work Monday to Friday, to stay at home and get my ideas written down, my creativity challenged, that would be the best.  But debt is sticking out its nasty butthole right in my face, and it’s damn stinky and needs to be payed back.  Like, now.  Or else light a match or something, because peeeeee-yew!

So, post-Winnipeg, it’s belt-tightening time. But until then, PLEASE PLEASE PLEASE come check out our show!  FOR REAL!  It’s really good!  And it’s a lot more fun when there’s more people in the audience!  COME ON!!!! I NEEEEEEEEED THIS!

I mean.  *Brie gets up from the floor.

Good night everyone.

It’s been longer than I would have liked it to have been between blog posts, but there was a good period there were my sole energy was spent on trying to stay awake, and thus blogging became less of a priority.  I have a new bed now, so that seems to have helped the situation, for now.

Also, I just read something that really inspired me to keep writing my little CCCs.   So back on the saddle again I go.

Today I am beginning the first day of my 4th Second City Conservatory course.  This is, for those of you who are not aware, when we begin to write what will eventually become our own little Second City-style revue.  We’re down two (and nearly 3 for a while there) people from when we began the process in January.  (Was it January?  Let me go back and check…yup January.)  We’re starting fresh with a new teacher (this guy)  and we were just asked to read this incredible blog about creating a Second City show from the perspective of a former Main Stage director in Chicago.  I was glad to have had the opportunity to have worked at the Second City as a host, specifically because I was able to witness this process first hand. (Not through the eyes of a director, however – Melody didn’t think the surgery would be particularly beneficial on her end…)  However,  I got to see what it was like for one show to slowly absorb new material and evolve into what would become the next revue.  I saw it and I wanted so badly to be a part of it.   And here we are in Con 4, a taste of what it would be if we were performers on the Main Stage.

 

l

 

I look forward to documenting (more closely hopefully) the process from here until our big sexy Conservatory 6 production.

***

Simultaneously, I am working at CBC still.

Simultaneously, I just moved to the suburbs.

Simultaneously, I continue to contribute my help, where possible, to the Canadian Comedy Awards Communications Committee.

Simultaneously, I try maintaining a relationship with a bear.

Simultaneously, I am working with my Water Wings partner on bringing the show a bit more up to snuff to take to Winnipeg, where hopefully we will get a bit more support from the community in terms of seeing our little comedy show and enjoying it.  We met a few days ago to discuss some modifications to the scripts, an edit here, an added dance here.  Things we can do to tweek the show and to make it better.  Not, because we didn’t think it was good before, but because these things are in a constant state of evolution.  What worked in Montreal may not work in Winnipeg.   What worked in Toronto didn’t work all the time in Montreal.  Adjustments, tweeks and rehearsals are critical within the next few days in order to ensure the show is superb by the time we bring it to Winnipeg. I had my first over-the-phone interview in French, by the way.  That was pretty excitant!  (But not in the France French way.)

I leave for Winnipeg in a week.  Holy crap.

I’ll have to miss two Con 4 classes for this.

And use up all my CBC vacation time.

But this isn’t complaining.  This is what has to be done.

 

Just over two weeks now until Water Wings hits the Montreal Fringe Festival.  I can’t believe it.  The show is coming along well – got most of the lines memorized.  And dance moves.  What?  That’s right.

I’m super excited about my first Fringe experience – as a performer, that is – I tried the spectator role, as well as the volunteer role, but something tells me I’m going to like this role a whole lot more.

In the meantime, I’m trying to get as many people as possible to attend the Toronto Preview of the Water Wings.  Since we won’t be able to perform at the Toronto Fringe Festival this year, we’d really like to give our friends, family – and sketch comedy fans in Toronto a taste of what we worked hard to put together.  So, if anyone reading this is available, come on down to:

Comedy Bar: Thursday, June 6th 2013 @ 10PM.  

Erin promises treats!

-3

Sometimes I watch stuff that sparks my imagination and creativity and makes me want to go on a writing/creative binge. 

So I go to my computer to get going.

I get sidetracked on Facebook and immediately feel all that joy and inspiration disappear. 

Three hours later I come out of it, and realize all the time I’ve wasted in my life.

And then I go to sleep feeling miserable and unaccomplished.

 

Thank you Mark Zuckerberg – or my addictive personality.

 

I wish to complain about the service I received at the Sobeys on the Queensway this evening.  I stood in a line behind two people, because the line next to me, where there was only one person in line, had a sign on it indicating the register would be closed after the last customer.

So, I waited in the other line.  The man in front of me began checking out and stopped the cashier (Barbara) because he did not believe he was getting the right price for the 4 cans of tuna he was purchasing.    (I got to hear the whole story – I was there long enough!)

Barbara, unaware as to why the cash register wasn’t showing the appropriate discount, took all the necessary measures to try to help the client she was serving.  While I waited.  And while a line behind me began to form.

The register next to me re-opened and took two more customers, both of whom had been BEHIND me in line. And then she closed again.

Many people were called to try to assist the man in front of me with his tuna crisis, and I continued to wait patiently.  (well, MOSTLY patiently) <— added for the blog

While I was waiting, it seems they opened up a few registers at the self-checkout aisle, where I would have been glad to go in the first place except, when I got in line, they were closed.  And nobody came to tell me they had opened up any additional registers.  It would have been nice to know.

I know you can’t help it when a customer really wants his discounted tuna, but it would have been great for someone, the cashier or ANYONE else to take notice of the other people in line, who have had long days, and who would like to get home, and who do not want to wait in line at Sobeys until 11pm.

The cashier even went out of her way as to offer the tuna-complaint man a free chocolate bar.

But I was waiting longer than him.  I had no complaints holding up the line for a half-hour.  I had 8 items or less.  So where’s my chocolate bar?

It’s hard to believe a year has past since I shared a stage with Dave Foley.  Not just any stage, the main stage at the Second City.  But alas, here we are, one year later, watching my successors have their moment in the limelight alongside another Kid in the Hall, and a most royal queen, Scott Thompson.

God Save the Queen
God Save the Queen

The show was really good, I was super impressed by the performances, a lot of the writing, but mostly the sheer joy on the faces of the performers as they showcased  what they worked really hard on, ans what they learned over the past two years.

…and I can only IMAGINE the infinitely more positive environment these kids had to work with in the writer’s room and in rehearsal.  They were having fun.  And being creative.  I bet they were encouraged to create, explore and push a couple boundaries.  And you could tell all that by the performances.

It was also nice to bump into some fellow alumni and other industry folk for the evening.  🙂  (Including the good news I heard about a sponsorship for Water Wings – but more on that to come…)

I left the Main Stage feeling pretty encouraged and motivated to work hard on my own stuff.  Nothing like a bunch of kids graduating and entering the world of what you want to do to motivate you to make sure you keep at it yourself!  But first, I must rest… because I’ve got this nasty  cough that just started out of nowhere and I’ve got a busy week (month, life) ahead of me!

Congrats Humber Comedy class of 2013!   Y’done good.  Now keep up the hard work and I’ll see ya on the circuit!

Recently, a friend and colleague of mine told me “You need to have more of an online presence,” which I took as a sign that I haven’t posted anything here on CCC, so it’s time to get back to it. No more excuses or nonsense.  It’s not like I’ve been all that busy or anything…

Well…

Part of the reason my posts have been dwindling is because I’m co-managing another website lately for my sketch duo Lake Erie.  We’ve been working tirelessly at creating content for our upcoming Fringe show and in an effort to promote it, we put this little website together:

http://lakeeriecomedy.wordpress.com/

So far the show is coming along nicely, and we had our first shot at performing some of its material tonight at the JokeBox Live Comedy Lounge.  We spent all day yesterday preparing for the set and filming what will soon be our first promo short for the Fringe show.  I don’t want to spoil anything, but I may or may not have been driving around in a Mustang convertible for the shoot.

With all the Lake Erie stuff coming together, it’s hard to believe I’ve also just finished stage 2 of the 6-part process that is the Second City Conservatory program.  Last Wednesday my class had our final Level 2 show, and we finished with some fun improv and our first shot at performing some scenes written a la Second City style/process.  Our next term starts in a few weeks, and we’ll be focusing mainly on archival material, which is always fun.  I remember back from the Archival Show I did at Humber that performing other people’s stuff can be pretty darn fun.  Heh.  Colonel Angus

I’ve also added to my responsibilities belonging to the Communications Committee for the Canadian Comedy Awards.  The festival is going to be in Ottawa this year, so well in advance, I’m warning my remaining Ottawa peeps that it is very important we get together and get drunk while watching some hilarious shit that weekend in October.

No rest for the wicked, they say.  Which I’ve never really understood.  Does that mean people who are busy are witches?  Probably.  I’d better get back to my cauldron folks, but stay tuned, I’m going to try harder to update this puppy more frequently as we approach our Fringe show dates and the anxieties increase!

Huzzah!

Oh, and in honour of our first performance as Lake Erie tonight, world, I want you to remember a simpler time when this was relevant:

 


Last night I was asked to attend and “evaluate” the second night of a stand-up comedy showcase exercise put on stand-up guru Larry Horowitz, for half the graduating class of the Humber College – Comedy: Writing & Performance program.  An exercise I recall a little more than I would like.  In fact, when I went back to my blog posts from last year to see what I had to say about my own performance in the showcase, this is all I was able to extract:

 If at first you don’t succeed…swear & curse a bunch, have a good cry, insult others who did better than you then immediately regret your bitterness, jealousy and resentment, wallow in self-pity, do harmful things to your body and mind… and try, try again.  – April 5th 2012

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Suffice it to say, I wasn’t pleased with my performance. Nor was I please with the results I’d got back from the evaluators who, like I tonight, had watched the showcase. And therein lies the beauty of time and experience. Oh how the tables have turned! Get ready, class of 2013, to feel the wrath of …the evaluator; someone who is taking your art and judging it on a completely subjective basis.   And watch out! I’m gonna be REAL subjectiv-y!

In all honesty, there were a number of strong acts last night. A cut above the rest was Darren Springer, whose mix of the wonderful and the absurd is just such a delight.  The bit about his father’s tone as he’s been trapped in the trunk of a car in Columbia is the perfect contrast of the ordinary in extraordinary circumstances. A classic comedy convention, but so well-delivered with such ease and comfort; you get the sense Darren really loves being up on that stage.

Other great sets tonight included the closer for the evening, Ryan Dillon – who’s got storytelling embedded in his genes, I’m sure. (Ryan’s a Newfoundlander.)  Sitting on a stool, he took us on a sad, sad, hilarious, but very sad journey growing up without a father – with a little insight into the airline industry.  (Did you know that if your parent is an airline employee, and they die, you get a free trip to DisneyWorld?!) Sarah White knocked the crowd dead with her sexy Star Wars switcheroo.  Colin North also had me giggling about his dead dad.  Come to think of it, dead dads were a bit of a recurring theme tonight.   Dead dads, and being a socially-awkward, ill-at-ease, unable-to-maintain-relationships-with-the-opposite sex, relatively dysfunctional human being.

That and masturbating.  There was a lot of talk about jerkin’ it.  It was a Humber show, after all.

I was impressed by the variety of voice work – lots of fun accents by Samia Darkazalli, Liron Jacobs and Jay Freeborn, who went into an elaborate bit about Pokémon, which normally I would care less about but because of the energy of the delivery and the fun wordplay, it stood out to me.  I’m a sucker for wordplay.

Ben O’Neil and his musings on the Kraken fit perfectly into the realm of the ever-increasing market share of nerd humour/culture.  Love it or hate it, you can thank (or curse) BBT for that.

It’s no surprise that I wasn’t a fan of the comparing women to dogs elements of the show or the multiple bits about racism, even the ones that were meant to call racists out on their shit, it’s just… I didn’t see a fresh take on it, and until then, I’d rather stick to what the pros have already said on the subject, rather than the not-so-deep musings of early-twenty something suburbanites.

That being said, it’s no surprise the acts that stood out to me can frequently be found performing in dives around Toronto to work on and improve their craft.  There is such a striking difference in quality and in confidence between those who perform stand-up regularly, and those who maybe memorized their set a few hours before last night’s showcase.

So, for those of you who do work hard, and practise a lot, and still didn’t get the grade-result you were looking to achieve in this exercise, don’t worry.  Even if you don’t end up performing stand-up in the Industry Show, don’t worry.  I said Don’t Worry! If you work hard you can totally get in Fresh Meat, have a live and professional taping of your set available to pitch to festivals, get an agent, book a Fringe tour and get a full-time administrative position at the CBC.

Trust me.