I love this. Especially for people who are used to having to be right all the time in the workplace or at school. It’s so freeing to do the worst!

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There’s so much pressure in life to “do our best,” it’s only natural that some of that spills over into the world of make-’em-ups we call improv. But striving for perfection is a surefire way to suck the fun out of a scene. As Joe Bill says:

“Any consideration of ‘right’ or ‘wrong’ will fuck you over and put you in your head. Onstage is not real life.”

Think about that: onstage is not real life. That gives us incredible licence to do whatever the hell we want.

One time in rehearsal my teammate, Justin Kosi, was pimped into being John Travolta. He looked at our coach, Tom Vest, and said “I don’t know him.” “That’s great!” Tom told him. “Just do your John Travolta.”

Of course, Justin’s Travolta was nothing like the “real” one – and a million times funnier as a result.

If you want to take pressure…

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I was all excited to get out there and see some comedy shows this evening after spending a bit of time away to “recharge.”  (Note, I’m not a robot.)  But when I got home after work, (first day in my new job, I might add) I started to feel feverish, tired, unwell in general.  I kept saying: “I’ll feel better in an hour or so.” But my condition didn’t really improve.

I then get to the point where my mind asks: “Are you really sick, or are you just trying to weasel your way out of going to shows tonight?”  But I DID want to see shows.  And I was NOT feeling well.  Seeing shows isn’t like going to a job you don’t want to go to.  You don’t need duvet-days when there’s so much great comedy to see on any given night here in Toronto. 

How to balance this self-judgement?  People say I’m too hard on myself, but  aren’t you supposed to be in this business? Should I have just gone to the shows anyway?  I’ve done that in the past when I feel kindof sick, and I don’t get anything out of the experience, I just sortof daze through the show, even if it’s a really great show, I don’t appreciate it. Then, I just go right home because I feel too crappy to socialize with anyone and I worry about getting them sick in turn.

Is this rationalization?

Is it just anxiety and over-thinking?

Does anyone else get this way?

Send me your feedback.  I’d be glad to have a conversation on the body vs. mind + guilt = more guilt.

The best way to get over a crappy stand-up set, I discovered last night, was to hit up an improv room.  Specifically, Natasha Boomer’s “Wheel of Improv.”  After a fair amount of ridiculousness, a little practice of my own, watching some newbies go up for the first time, watching some more experienced enjoy the challenge of working with the seasoned pros (in this case, special guests were Ken Hall & Rob Norman as well as a surprise drop-in from Becky Johnson & Kayla Lorette,) and finally chats and cupcakes at the end of the night, I felt a whole lot better about myself.

The stand-up bit needs more work, but at least I don’t feel as bitter about it after having been in the extremely supportive care of the Toronto improv community.

 

 

Holy shit, I did it! I completed the outline to my pilot.

Sure, I need to go over and over it again to make sure I reflect my character “wants” in each scene.  But whatever.

I completed a stage.

An important stage.

I HAVE WRITTEN AN OUTLINE!

And it’s goooooooood!

Maybe I’m ready to start writing again.  I had a pretty brutal couple of weeks there, but things are slowly beginning to become funny again.

As most of you might know by now, my itty bitty Peanut recently passed away.  However, she did used to shed a lot, so I have since collected and created a fur-doll with her remnants.  It’s almost as though she hasn’t gone at all!

 

New necklace.
New necklace. Why yes, that is regurgitated cat fur!

I’m also somewhat looking for jobs as it has become necessary since I’m on the verge of losing my current one.  I can’t say  I’m happy with my employer’s decision, so to make it right I will be spending my remaining time there repeating work I’d already completed to render my redundancy notice accurate.

My bridesmaid’s dress has arrived from China.  When I told everyone at work it was too big, they all congratulated me for having lost weight.  I didn’t tell them I ordered the dress 2 sizes too big.

toobig_
Just take a couple inches off…

My new sketchprov troupe (that’s what you call it when your troupe performs both sketch and improv comedy) “Red Herring” are excited to announce we’ve applied to our first comedy festival; the Detroit Improv Festival.  Fins crossed. I hope we get in. I really need the motivation to get my damn passport renewed. For some reason,  the call of chicken wings from Buffalo just isn’t strong enough for me these days.  We also have a few cool shows coming up in May and June. It’s always so great working on a promising new project that can actually go places, like Detroit!

It’s Spring.  The Earth is waking up and so am I.  <—- who says that shit?  

(I do. Sometimes.)

 

Well blog, I’m sorry.  It’s been a while.  I know you’ve  been sitting here, waiting for me to feed you, but I’ve been busy.  I know that’s not a good excuse, but I’m here now aren’t I?  So let’s get to it.

Huge news.  I’ve recently been OFFICIALLY hired by The Second City to lead improv workshops in French and English as part of their Educational Company.  Last Friday, I lead my first workshop at a high school in Brampton and I was absolutely thrilled to go back to feeling the way I did when I was a tour guide, or a cadet instructor, but for something I like even more than First World War history and paramilitary youth engagement; improv!  Good old fashioned make-em-ups!  Hopefully one day I’ll have the same impact on a kid’s life as Daniel Ayotte did on mine when I was a young Rosario  Tanguayan in Welland; making things up on the spot and feeling tremendously free; even for an 11 or 12 year-old, who was already pretty void of responsibility.  Sure, I may have lost it for a while there after high school, pretending to be a very serious political scientist, but it’s such a joy to have it back and to now get to share it with others.

Le sit, le stand, le bend.
Le sit, le stand, le bend, mes amis.

Also great, my boss at el-dayjob  and I worked out an arrangement so that I can continue to work at both companies without conflict… of course I had to clear it with my team, the union and Human Resources, but that’s the joy of kindof working for the government.

In addition to that, I have a new comedy troupe in the works.  We’ve performed one improv spot to date, and we’ve got a few sketch shows in the works.  Right now though, we’re all very concerned about our Second City general audition.  After such a great year working on Conservatory material, it’s wonderful to start thinking about the next steps the Toronto comedy scene has to offer, and though that sometimes feels very scary and uncertain, it also lights a fire under one’s ass to get producing funny ass shit for the world (and mostly your friends, peers and family) to see.

On the home front, my Peanut has fallen ill with a bit of a weak liver.  She was hospitalized for two days last week and let out right before my birthday, which was a phenomenal gift!  Though I have to feed her myself these days because she’s not got much interest in eating, she is doing a bit better.  She used to hide under the bed all day, but now she surfaces up onto the bed and appreciates a good cuddle.  Hopefully she will become stronger (and hungrier) as the days progress.

Recovering Nut
Recovering Nut

As a result of the Nut issues, I had to cancel a gig this past week, and I feel absolutely horrible about it; they were very understanding, but there’s something about not-showing up for a gig, especially when the people who run it are awesome in every way, and it involves Star Trek cosplay, that really bites total butt.  Tina Fey talks about saying yes to everything, but at that moment, I had to say yes to making sure this tiny creature under my care survived the night off her IV, even if that meant omitting the strenuous process of putting a sock in my hair to simulate Captain Janeway’s awful hairdo from Seasons 1 – 3 ST Voyager.

Was there an on-board stylist?  Computer, hairstyle variation 372-D.
Was there an on-board stylist? Computer, hairstyle variation 372-D.

Writing  all this helps with stress.  I’ve been feeling it pop up a bit more frequently lately, maybe because so much seems to be happening all at once.  But it’s not as bad as this dude on the streetcar after the Blue Jays game who kept making really loud exhales whilst punching the side of the streetcar wall.  I suppose we all have our own techniques of dealing with stress, but I awful concerned this dude was going to have a total Hulkesque breakdown and just smash the back of the streetcar and go running down Bathurst Street jumping on cars and crushing them in his wake.

imgres
Wait for it… SMASH!

Maybe he just needed a nap.

Speaking of which, the hour has arisen, I must bathe and retire for the evening.  Thanks for reading! 🙂

It’s Sketchfest season again everybody!  Hooray and celebrate!  This year, I am not working quite as diligently with the organizers as I’ve done in the past, mostly because I’m too busy with the day job to sustain all the evenings of hilarity and drinking and fun times.  Fun times are exhausting, you guys.  Anyway, I have been checking some of the shows and so far they have been GREAT!

Speaking of great, I wrote another article for She Does the City and it 100% has to do with Sketchfest, so please go ahead and check it out:

shetchfest

The idea was that I interview all the all-female troupes (Templeton Philharmonic, Ladystache, 2 Weird Ladies, LadyBusiness & She Said What) participating in this year’s Toronto Sketch Comedy Festival & find out more about them, their style, and why the readers of shedoesthecity.com should check them out.  It was a lot of fun.  I quickly became aware of why podcasts are so popular, because interviewing other comedians is really fun and insightful.  I wouldn’t want to do it all the time, because transcribing takes a LOT of time, but the sitting down and talking to funny and interesting, hardworking and genuinely great people was a lot of fun!

Tonight, I’m off to check out the Kids in the Hall (if only 16 year-old Brie knew how many opportunities she would get in the future to see these guys live) as they do a live reading of their film Brain Candy.  It’s going to be great!  I love how they all hated one another when they made this movie, and now they’re revisiting it as older, cooler buds.

As the festival continues, I will attempt to post more, but don’t just sit here and read.  Make sure you go out and see as many shows as possible.  This is seriously such a great comedy festival, a wonderful place to study styles and methods of performing the art and basically just a really sick party.

My highlights of the fest so far are:

  • Bri-Ko (but they’ve already went back to Chicago, so you missed them.  Sorry.  Check them out if ever you’re in  Chicago though, because they blew my MIND!)
  • Peter n’ Chris (they’re done with Sketchfest too, but you CAN check out this video pilot for their new webseries thing coming out, which is a lot of fun.  It’s called Hardly Men and you can catch a glimpse here: