Tag: improv

This message was posted on the Guess Who’s Coming to Improv? Facebook page today.  It is heartwarming and amazing:

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This message is a greater gift than any host could hope for.  And yet, tonight, Rachel came back to the show and gifted me with two hilarious scenes as well as the following:

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I didn’t really know what to expect when I started hosting #GWCI. I wanted to play more, I wanted others to have the opportunity to play more, and I wanted people from all levels of the learning spectrum to mingle and create magic together.

I certainly never in the process ever expected BACON!

These are life’s wonderful little gifts.

Thank you Rachel!

We find ourselves at the beginning of another New Year, and like many bloggers, this is as good an opportunity as ever to think back over the past year and try to find some meaning in everything before moving on to the next.

Here goes:

1)  I turned 30.

2)  My best little friend and partner Peanut (my kitty cat) died.

3)  I got let go from work.

Am I ready for a new year?  Yes please.

Ok. So maybe I’m oversimplifying things by focusing on some pretty negative and shitty experiences. Like, maybe turning 30 isn’t so bad. And losing a pet is awful, but we know they don’t live forever when we bring them into our homes at the get-go. And when they’re super sick, sometimes it’s best to know they’re no longer in pain.

And as far as the job goes, I wasn’t a huge fan of the position quite honestly, and really welcomed the change. Also, because I’m a unionized employee, I was found another position within the corporation and have been totally loving the new challenges, coworkers and environment.

One year ago, I moved into an apartment in Bloorcourt; the heart of Toronto’s indie comedy action. I thought it would be the best place to live/be. As it turns out, my apartment overlooked the neighbour’s balcony and they could see directly into my tiny bedroom/kitchen, their cigarette smoke and blathering idiocy seeped in through my window, which was often left open given the ridiculous lack of temperature control in the building. I moved in 2014, again. Up the road, and this time, with my partner of 4 years, Dan. It’s already nice to have food in the fridge, cable TV, and someone to hug when I get home from late-night comedy shows who isn’t a cardboard cutout of Seth Rogen hanging behind my front door purposed to frighten off potential intruders.

I gave birth to a few babies this year: 50 Shades of 50, The Benoits, Exit, Pursued by a Bear and my fondest little project, Guess Who’s Coming to Improv? Each of these groups/shows have brought joy, fun and a stage to play throughout the year. I am incredibly grateful to all those involved, you know who you are. And if you don’t think I’m talking about you specifically, I am, so don’t worry. You’re amazing. I also adopted Improv Game Show, who continues to grow every single week; and I am as proud as an adopted parent could be of its’ potential.

Non-metaphorically, I welcomed a new brother into my family this past summer, as he and my sister threw the best damn wedding I’ve ever attended. And I’ve been to a few weddings in my short years on this earth, folks. This was hands down, the best. It brought my whole family closer together and it was such a gosh-darned delight to see my now 94 year-old grand-maman stand-up at her walker to boogie down to a few tunes.

I got to work with my brother and my boyfriend on a comedy project; a TV pilot about my hometown. Though nothing came out of the competition part of it, we still plan on creating something together out of the concept and working on other projects as well. We might totally be the next Jake and Maggie Gyllenhaal, but like, Canadian, …and funny.

I was hired by my dream employer last year to teach improv workshops for students both in English and en français; and every chance I get to share a teensy bit of what improv has done for me to other people is like a tiny little miracle.

I went to New York City to learn more about writing humour. I read both Keith Johnstone’s and Rob Norman’s book to learn more about improv. I read Mindy Kaling, Martin Short and Andrea Martin’s books for inspiration and am now onto Amy Poehler’s. I listen to podcasts about comedy and improv and society and life and I am more motivated than ever.

2014 was a good year. Tt felt like momentum was beginning to pick up. My hope is to keep up the pace and trudge on forward. It’s an interesting thing, finding what you love and working towards doing it as often as possible and trying to make a life out of it. It’s not easy all the time, but it sure is something.

Even though I still miss Peanut like fucking crazy.

Happy New Year my darlings. To an amazing year ahead!

Tonight I saw an improv scene that was just so delightful.

It was kindof dark, and gritty. It didn’t rush. Slowly, the characters were discovered and developed. The scene was set so well, so you could see the space in your mind. It was leading to something, but felt OK that we never had to get there… And for a scene referencing anal bleaching, it turned out to be a pretty heartfelt (and hilarious) story about sacrifice for the people you care about.

I fucking love improv.

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(The scene featured Jess Grant and Isaac Kessler if you must know; and the performance took place at Zonk Improv, a duo night produced by Monquea Marion and Constantine Pavlou — you should check that show out! Exit, Pursued by a Bear performed as well!)

I’m so stoked to announce that this Saturday’s show features none other than Second City Main Stage alumni: Naomi Snieckus and Alastair Forbes. And if YOU attend, YOU might get to play with them!

Get to know more about these two phenomenal improvisers/people and read on:

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Naomi Snieckus is an actor, writer, improviser, voice over artist, and director. She studied at University of Waterloo and then Ryerson Theatre School before moving to Vancouver for five years. An alumnus of the world renowned Second City in Toronto she wrote and performed in 5 shows and met her funny man Matt Baram. She is a founding member (along with Matt Baram) of five time Canadian Comedy Award winning The National Theatre of the World and performs and produces: Impromptu Splendor, The Carnegie Hall Show and The Script Tease Project. The National Theatre of The World is a company in residence at The Young Centre For The Performing Arts in Toronto. They have traveled internationally to Berlin, Israel, Amsterdam, England, New York, South Carolina, Chicago, Los Angeles as well as throughout Canada. Naomi won the Canadian Comedy Award for best female improviser in 2010, as well as best female in a TV Series (Mr.D) and was nominated for an Actra Award in 2013 for her work in Mr.D.

STAGELA_STAGEComedypx468Alastair Forbes is a Second City Mainstage Alumni, Dora Award nominee and two-time nominee for the Canadian Comedy Awards Best Male Improvisor. You may have seen him on your TV (Insecurity and The Ron James Show, CBC; The Bridge, CTV;Breakout Kings, A&E; That’s so Weird, YTV) on your big screen (My Ex Ex) on your stage near you (Theatre by the Bay, Thousand Islands Playhouse, Centaur) or have seen his voice on your radio (Go!, CBC Radio One). He has written for YTV’s That’s So Weird and is a story editor on a CTV development project Matt and Jeff. Oh, and yes, he’s probably that guy from that commercial you saw. You can catch him almost every week performing at the Comedy Bar or with his critically acclaimed improv troupe Bonspiel!

For more information, check out:  https://www.facebook.com/events/1510937449152943/?fref=ts

At work today, as I was trying to get some people jazzed about their impending participation in a daytime television studio audience, I saw four female comedy writers/improvisors walk through the halls of the CBC. They stopped briefly to chat, one having recognized me from an earlier improv event we had both attended.  (eee!)

She proceeded to inform me they were headed to a meeting upstairs.

…And for a second, I felt really great about the future of Canadian comedy on CBC.

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(Sidenote: I hope they remember this encounter if/when they get green-lit)

“You just gotta trust that someone’ll be there to support you.”

That’s an incredible thing my buddy Eric said to a dude who went on stage to improvise for the first time last night at the renewed bi-monthly comedy variety night; Comedy Night at Musideum.

The other improvisers off-stage encouraged the new dude to get up and play a scene and despite his reticence, they eventually just literally threw him up there, no mercy.  I was glad to be the person who got to play the scene.  I had no idea he’d never done it before, and to be quite honest, he reacted precisely the way I think any man would to my chasing him around with a mimed whip and hot oil like some crazed dominatrix, demanding he recite his multiplication table would’ve acted; fearfully.  In fact he cowered under a chair. That’s commitment.

Way to go Zach!

Also, maybe my Mom was right. Maybe I should have been a teacher.

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OK folks, something you should know about me is that I HATE doing dishes. HATE it. But the tedious, mundane and often unsettlingly repugnant task was made much more tolerable this evening as I put in my earbuds and cleaned away while listening to and learning from Toronto improv sages Adam Cawley and Rob Norman’s podcast The Backline. In it, the two share their personal experiences and discuss valuable insight into the wild and wonderful craft of improv.

If you give a shit about learning improv, you should listen and take notes.

Click the image below and download the shit outta this podcast.  I’m sure the guys won’t care WHAT you’re doing while listening along…

 

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The best way to get over a crappy stand-up set, I discovered last night, was to hit up an improv room.  Specifically, Natasha Boomer’s “Wheel of Improv.”  After a fair amount of ridiculousness, a little practice of my own, watching some newbies go up for the first time, watching some more experienced enjoy the challenge of working with the seasoned pros (in this case, special guests were Ken Hall & Rob Norman as well as a surprise drop-in from Becky Johnson & Kayla Lorette,) and finally chats and cupcakes at the end of the night, I felt a whole lot better about myself.

The stand-up bit needs more work, but at least I don’t feel as bitter about it after having been in the extremely supportive care of the Toronto improv community.

 

 

I have finally begun writing a fucking script!  I’ve been telling myself since graduation from Humber “Brie, write a spec script, Brie, write a spec script.  Do it do it do it now!”  But I didn’t.  I don’t know why?  Procrastination?  I guess it’s because I can always go out somewhere and perform.  It’s easy to put off writing by justifying the fact that you need to go out and do and see shows; to stay connected and to make sure people out in the community remember your face and that you do in fact, live and breathe.  However, equally, it’s important to have a base of written work in case someone asks you to write for their TV shows one of these days.  (Or so I dream.)

I decided not to write a spec script.  Rather, I’ve had an idea mulling around the ol’ brain box for a number of years now, and I’m finally putting the ideas down in writing and creating my first script for a sitcom pilot. Of course we did work on similar tasks while at Humber.  We collaboratively wrote a workplace pilot, which was altogether a very interesting learning process.  But it was the entire class working on it, so my contribution was pretty limited.  Nothing you could show to an agent or whatever.  We also wrote pitch packages in our writing class, which was also an interesting exercise, and I was told to get writing an episode, but I never quite found the desire for it.  It was a fun project to work on, but I didn’t see the show ever realistically being picked up.  It was about army cadets, and I don’t think there’s a huge interest in youth paramilitary activities.  At least, not since 1945 anyway.

In addition to the writing of words, I also caught a few live shows this week.  On Monday, I attended the Humber College New Faces ’14 show.  (I can’t believe it’s been 2 years since my face was new!)  It was a classy show and featured a guest performance by none other than veteran comic Dave Thomas.  Last year, I left the Industry Show with a sense of joy, maybe because I knew some of the performers still, and I was still riding high from my own experience from the year before, but this year the connection was a bit different.  I now look at the shows more critically, thinking: “if I were ever to direct a show of this magnitude, I would do this differently, or I wouldn’t do this at all, or I would definitely consider this… etc.”  Maybe having taken the Conservatory program at The Second City has given me more experience and a different approach to putting on a massive revue, but whatever the case,  I felt differently about this show than I had in the year prior.

Then I thought about the aftershmooze.  There were some people I would really have liked to chat with, but the room was clearing out and it seemed like everyone wanted to go home because it was friggin sweaty in there.  Also, I felt like what’s the point of talking to someone if they’re really there to see and mingle with the people who just performed a huge show that took months of preparation and 2 years of training?  It wasn’t my night to shmooze.  Or was it?  Who knows?  Are there appropriate conventions to shmoozing? It was a great night to catch up with my ol’ teachers.  Ever since high school I’ve found it slightly easier to connect with the teachers than to most of my classmates.  I know.  What a nerd, right?

Anyway, it was a great show, and it’s always a cool production to see such young, hopeful talent rockin’ their jokes & performing their little hearts out on the Main Stage.  It’s also a great way to get motivated to get my own butt back in gear!

That being said, I also attended a show put on by a great Toronto improv troupe; Fake Cops.  Every month they put on a free show at The Ossington. This week, they had some pretty awesome acts.  It seems like a great show to be able to explore; to make crazy choices and see where that takes you.  To do a set where you end up covered in cereal, or to perform with a mic stand wearing a wig.  Either way, the result was laughter!  There was some weirdness and some messiness, but it was all good, it was all interesting, and the night had a really good vibe going on.  I highly recommend checking this one out (and I’d love to get on it one of these days, if any Fake Cop ever reads this blog.)  Passive-manipulative social media marketing.  That’s my bag!

Aaaaaanyway,  I suppose I still have a job to go to tomorrow.  I best be off to bed.   Bonne nuit WordPress!